Chapter Autobahn Last year, the electronic pop pioneers released a 3D concert film (in Dolby Atmos, featuring their eight-album-spanning ’70s and ’80s oeuvre) performed during shows between 20.
We know what you’re thinking: ‘hand me my debit card right now.’ While the absence of crowd noise arguably detracts from the bedrock design of the archetypal gig experience, the 5.1 Dolby Atmos presentation (the Blu-ray also includes a ‘Headphone Surround 3D’ mix) offers an all-encompassing, spatial-dynamic and cohesive blanket of sound that’s as mesmeric as the languid projections behind the techno machine men.Ĭrack Do Black And White 2 Peb. And it’s the 14-minute live version of – one of the most precise and polished tracks – that you’ll especially want to prick up your ears for. The bottom line: it should sound sublime through your system.Īnd look it, too. Promising a multi-sensory celebration of melody and technology, it happens to be one of the more visual performances, too, with contrasting projections displaying antique cars and driverless cars on empty, sun-kissed motorway vistas. Chapter 7 It’s easy to point to the most action-heavy sections of a film as a great workout for your speakers and AV receiver. But it’s the quieter moments that can give you just as much information on how subtle, evocative and dynamic your system can be.
The scene where we’re first introduced to Rey in The Force Awakens is completely devoid of any loud noises or even dialogue.
It’s all about space and silence – conveying the immense, vast emptiness of the cavernous ruins of the star destroyer should elicit a sense of awe. Your system should also be able to convey the gentle shift in atmosphere as Rey emerges out into the desert plains of her home planet, the solid, scraping clunk of metal as she loads up her speedster, and the delicate, agile strands of. Handled bluntly, it loses that sense of wonder and adventure. Chapter 7 John Wick is the best thing Keanu Reeves has done since The Matrix.
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